Magic Dim MAGI: Resist or obey in the face of injustice?
No one can tell whether fate exists clearly. If it does not exist, there are countless coincidences in the world or inevitably lead to the direction and connection of various events; if it exists, it is like an antelope hanging its horns, which makes people have no trace. The clues found by each person are their own subjective judgments, but they are also conclusions drawn through their own thinking. But what if this thinking is controlled by a higher-level existence?
This is a paradox that no one can convince each other. There are countless references to this in real life, novels, film and television works, and animation comics. Let’s see how Da Gaoren interprets destiny in his writings? That’s right, today I want to share with you the "Magic Flute MAGI", also translated as "Artise Nights" and "One Thousand and One Nights".
In fact, when I first saw the Magic Flute, the plot of the story was a story that tended to adventure and the growth of a generation of kings, and the style was similar to Egyptian stories. Even the protagonist's names were named by Aladdin, Alibaba, and Simbad. At the beginning, it is indeed a strategy maze that can gain countless wealth, and can also get help from demons and gods to gain powerful power. So, the wise ministers have developed the election of kings again, just as Aladdin asked when he first met Alibaba: "Can you be friends with me?"
However, when you read the whole story, the subsequent story direction has been sublimated into a philosophical story. The Great Gawain also played 6 times in this turn, with a total of 369 episodes of the comic, and two seasons of the animation were animation. The story can be roughly divided into several stages: the first adventure between Aladdin and Alibaba. This part introduces the overall worldview, leads to Aladdin's MAGI identity, and lays the foundation for Alibaba's growth, first letting him meet his final partner, Morkana, and obtain the weapon to fight along the way - the strategy maze, and obtain Amon's sword. Then it can be regarded as a return to his hometown and returning to Alibaba's country Barbad. He failed to save his close friends but also allowed the country to survive the defeat of the glorious empire. He also met the most important character in the entire work - King Simbad, and then began his own experience. Aladdin entered Magnostico Ted to practice magic, discovered the darkness of Magnostico Ted, and finally fought with the metal users of various countries to destroy the arrival of Il-Ylan, thus leading to the tragedy of another world that Aladdin saw through Solomon's wisdom.
I discovered that Yu Yan, the queen of the Yuanhuang Empire, was transformed by Alba, a magician from another world, and then she had the revenge of the White Dragon. In order to stop the White Dragon distorted by hatred and the expanded Huang Empire, Alibaba and Bailong were defeated and died. After death, they accidentally entered the dimensional hole and met the magician from another world and were resurrected with his help. Alibaba, who returned from resurrection, discovered that the world had changed drastically, with King Simbad ending the war and establishing a chamber of commerce to promote global trade. It was a good development trend,King Simbad was bewitched by David, the culprit of the previous world's destruction, and seized the Holy Palace and established himself as a god, hoping to return the people of the world to the rufu state, so as to launch an attack on the high gods in the upper space, so as to completely control their own destiny. Finally, after experiencing the same tribe, this plan was finally smashed by Aladdin, Alibaba and others.
The philosophical statement is that there is the fate of people in the world that control the high-level gods in the upper space, so there will be war. What Simbad wants to do is to let the people of the world return to the rufu state, that is, return to the most primitive magic state, and combine great power in one body. In this way, one's own body will be immortal and then break the upper space and knock down the high-level gods, so as to completely control one's own destiny and no longer be controlled by others.
But the idea of people all over the world returning to the rufu state is that the people are born out of the influence of their magic. Returning to the most primitive magic state is tantamount to death, but people are not aware of this, and people all over the world are cheering and waiting to return to the rufu. This is terrible. Not to mention the reaction to unfair fate, my own reaction was based on God's will, and it was not my true thoughts, but I still didn't notice anything. I still thought that this idea was the conclusion I came to after thinking about it. I was clearly going to die, but I still greeted it happily. This distorted and weird sense of incongruity is really terrifying to think about it.
In the end, it became a question, who am I, where am I, what I think and what I think are true of my own thoughts, or is it formed by the implantation of higher beings into my mind? It's like the relationship between RPG games and people who play games and designers who write game codes. Just like you and me at this moment, are we actually characters in a novel? We are moving according to the direction of the story written by the author, and even the ideas we have now are arranged by a higher-level existence?
Although the Magic Flute MAGI ended with the victory of destroying the people of the world's return to rufu, it seemed to echo the beginning of Aladdin chose Alibaba as the weapon of the king, so he achieved this great cause. But the suspense of the creatures in and outside the box is left to be thoughtful. So what will your choice be in the face of injustice?
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