Unlike in the past, I could only listen to audio to import the plot, under all-round projection, I almost instantly entered the plot. Tell me about my gaming experience in the range without spoilers.

From the beginning of choosing a role, you already have a feeling in the sense of substitution. The moment you touch the silhouette with your hand, you are like a soul waiting to travel through, choosing the body of your other world, which is completely different from the original gameplay.

I am the kind of person who is more emotional. In fact, every time I play the book, the most tense moment is not when confronting others, but when I choose a role. It’s that kind of thing. While you choose a new life, you also have to bear the hardships of him. But in fact, people with my feelings are not right. Most of the time, casting is a process, which is basically equivalent to finding a seat to sit down. But this time it is different. It is obvious that when the story import begins, facing the silhouette on the wall, my tension and expectations will be infinitely magnified. This is the power of sound and light, and it is also the power of atmosphere. When you are completely in an animation scene, the impact of visual and auditory is far from comparable to the small means such as turning off the lights and lighting candles or taking your phone to play audio for you.

【2. The chemical reaction of superimposed reality and illusory background stories]

My character is a priest's family, and the setting is to learn about some myths of the dead. The deceased Lord Ping Jiangmen (note that he is Lord Ping Jiangmen, just like he is not Pirate Wang Luffy) has a mythical background setting in the story. He was licked by a dragon and was invulnerable to swords and guns. It is a bit like the background story of Achilles in the Greek mythology, which is that the two have different weaknesses. In fact, the author is really borrowed from Japanese myths and legends. Heijiangmen was really a man in history, and he is particularly famous, known as [the second of the four great resentful spirits of ancient Japan]. From the history of Japan to the present, the only person who dares to openly rebel against the Emperor and establish his own imperial title.

It feels very story-provoking just to show this character. The author refers to various stories in the life of Ping Jiang, and then revolves around the ending of this story, namely the death of Ping Jiang, and completes the creation of "Lichuan Strange Talks". Actually, I didn't know a lot of the information at that time, just pretended to be fabricated, but the background settings were repeated and huge, so afterwards, I searched the Soping General on the Internet and looked at his life, while reviewing the "About half of the story of Lichuan have a source and can echo it. This is something I didn't expect before the game started. At this time, my discovery was undoubtedly an easter egg for me who likes the legend of gods, monsters, and it was a very surprising.

【3. The link is to take risks for the destined death】

When you are immersed in this story of love and hate, your most intuitive feeling is definitely not about searching for evidence and foul play, but about completing an adventure. The core idea of the task is:

"Ping Jiangmen is dead, what else can you do through your own efforts? 》

Yes, what I want to say is a sense of mission.

When you follow the light and shadow, walking in the story, checking the evil is no longer an urgent task. There should have been some horrible links, and there will be even a hint of sadness when you complete them. When I faced the body of Pingjiangmen, my first feeling was not that I was terrified, but that I felt:

"So this is the arrogant hero Pingjiang in the background story... He lies down and looks just an ordinary person..."

All stories are not told by DM, but are promoted in narrations of professional voice actors, so they have so much immersion. DM has changed from a person who has urged everyone to complete the stage quickly to a projectionist in the cinema. My experience of this change has doubled.

I don't like my real name and DM urges me to complete the process as soon as possible. I will play in a store where DMs participate a lot. I would rather choose a script killing app without DM. In my story, I really don't need an unidentified god to tell me what to do. This will greatly reduce the game experience. If you encounter an unprofessional DM, it is even better to post barrage when you watch a movie. But this holographic interactive experience greatly reduced the presence of DM. There were never any extra people in the whole room. It is no exaggeration. This is the only time I have ever killed since I played offline scripts. Of course I know the importance of DM for offline script killing. I just want to say that when everything can be completed with interactive animation, the entire game experience, should you choose to listen to the voice actors slowly in the music, or choose DM's dry explanation in a hurry to get off work style, I will definitely choose the former.

A little [Screen Killing of Scripts under Interactive Holographic] TIPS

First of all, I experience this technology. The holographic spheres on the market are either unable to interact or weak interactions. If they are not Invitation experience for product companies, I guess it is difficult for me to have such a refreshing immersive experience. It is not recommended to go to the store to experience the holographic script killing directly.

Secondly, it is not recommended to give up the side mission directly during the process. The plots pieced together from the side are the real core of the game. If you don’t do the side, it will be difficult for everyone to have the opportunity to tell their own story.