On the screen: The game screen of this game is almost recognized as the best in the Assassin's Creed series with the highest quality (there is absolutely no problem surpassing the hero), and is also one of the best in Ubisoft games. There are numerous NPCs on the street and delicately portrayed, and the light and shadow effects are also very gorgeous, setting off the romantic atmosphere of Paris.
Scene: As a French company, Ubisoft has naturally devoted a lot of effort to portray the city of Paris. The scenes of this work have returned from the forest and ocean islands of previous generations to the magnificent city. Buildings such as Notre Dame Cathedral have allowed me to regain the stunning feeling of the first generation of Massiaf Castle and the second generation of Our Lady of Flowers Church. In addition, this work not only depicts the luxury of the royal palace, but also depicts the suffering of the miserable world of the slums, which well restores the true social appearance of the Great Revolution.
Gameability: This game changes the previous gameplay of "Wilson in the War" and "Wilson in the Pirates", weakens the combat system, returns to the Assassin's infiltration gameplay, and also increases the difficulty. In addition, this game created the "Palace Infiltration" gameplay in the AC series, and gave multiple entrances and assassination opportunities (I think it was borrowed from the Killer 47 series. After all, the 3A masterpieces in recent years have been learning from each other in gameplay), which has increased the freedom of assassination missions and increased the fun of replay.
Plot: The main line of this work is very short, and I feel it is the shortest in the Assassin's work. But the plot is really good. First of all, this work is the only one in the series that takes love as the main clue. Arno chases Elise at the Palace of Versailles at the beginning, to chase Elise's hot air balloons in the middle, and to finally confronting Germain to recover Elise who is in danger. Almost all his actions are related to Elise, but they are always in the fate of "chasing and missing" (missing his father's death, missing De Russell's death, missing Elise's death). Although the assassin is powerful, he can perfectly kill the prey in his eyes and hide in broad daylight. However, in the face of emotions and fate, the Assassin is as weak as all others, not to mention in the torrent of history. Such a portrayal is more realistic than the assassin masters who can restrain emotions and change their destiny.
Optimization: This is the most criticized generation of this game, the representative of the bug creed. But after the version update, the current optimization should be considered conscientious. Laptop graphics card can be efficient and stress-free if it is above 860m.
Political stance: It completely subverts the description of the French Revolution in our history textbooks. Wouldn’t it be very reactionary to demonize the masses and sympathize with the royal nobles? It seems that he has been criticized by French parliamentarians? But I think this is more in line with real history. The French Revolution should be similar to the destructive effect of a certain movement in our country in modern times. If Napoleon hadn't quickly re-established order, France would not have known what would have ended.
