Goddess Marion Cotillard is as beautiful as ever, and she is in a neutral suit, but she still tastes so delicious. As the most important female character in Assassin's Creed, her presence gives this film a touch of warmth.

I haven't played the Assassin's Creed game, so watching movies may be more pure. In terms of visual experience, the assassins' decorations and costumes are quite touching. The shark's posture of carrying a quiver on his upper body and bending his bow and shooting archery is not too handsome. In addition, the film incorporates parkour into the battles of the Assassins, and the action design is quite good. Overall, the visual effect level of "Assassin's Creed" is very stylish. The dual interaction between the modern world and the space that travels through time is good in conceptual and anthropomorphic technical processing.

As the first step in the series of movies, "Assassin's Creed" obviously lays out a grand background and worldview, and gives a detailed account of the grievances and ideas of the Templars and the Assassin's Creed. For example, the assassins' idea of living in the dark and guarding the light sounds like a knight-like demeanor. Obviously, Assassin's Creed beautifies the assassins. Assassins are more of a way of action, using hidden, mysterious and ritual ways to achieve the pursuit of justice, and what really guides them is essentially the so-called chivalrous spirit. This chivalrous spirit is for the same belief, which is very ritually displayed at the opening of the film. In the latter part of the movie, the film uses the deaths of a large number of assassins to prove this spirit.

Under this concept, Assassin's Creed creates a heroic growth story for the male protagonist played by Fasha. At the beginning of the film, he was just a descendant of an assassin and was about to be injected into death. After being rescued, under the guidance of the female doctor played by Marion Cotillard, he gradually embarked on a path of finding and identifying himself. In fact, as the opening work of the series, one of the main tasks of "Assassin's Creed" is to depict the growth of the protagonist.

So, the film first lets the male protagonist trace back his past bloodline and identity through modern technology. Then he showed his resistance and resistance, juxtaposing characters from different time and space to create dialogue. Such a setting and scene display are quite good. Of course, after a brief resistance, the protagonist finally needs to identify with his identity. For Lynch, when he recognizes both the reality of himself and the ability of his past, he reaches a state of unity, and the heroes he focuses on depicting in the film are born.

Assassin's Creed uses a lot of space to describe the character's growth. Under the cross-story storytelling, the realistic narrative line is relatively weak. Moreover, for some viewers, the first episode of the series of movies will always make them feel unsatisfied. For example, the ending of "Assassin's Creed" does not have a war of good and evil in the traditional sense, but ends with the death of one of the villains and the changes in the heroine, creating a great suspense for the next episode.